by Howard Hain
Saint Francis and Saint Clare from the movie “Brother Sun, Sister Moon”, (Franco Zeffirelli) (1972)
A garden enclosed, my sister, my bride,
a garden enclosed, a fountain sealed!
—Song of Songs 4:12
From memory it is not easy to recall. I do have a clear image, but if it is accurate that remains to be seen. Here we go.
It was downhill. A sloping path. As I approached the stone church, a few people wandered around out front. There was somewhat of a courtyard, well not a courtyard, more like a little wall hugging into existence a welcoming space. This wall was about bench height, made also of stone, and extended outward from the building. It created what I would normally call an out-front patio space, but in Italian terms, perhaps it would be called a terrazza, or maybe even be considered a piazza, or perhaps most accurately, a piazzetta. Then again, maybe it is just a patio to Italians too.
Well, sitting on this low wall was a friar. And running around the open area was a small brown dog with a shaggy little beige beard.
I entered the church. It was small, almost cave like. A curved ceiling. Dark. Old. There was the cross, a crucifix. Not the actual one that spoke to Saint Francis—no, that one was moved up into the Basilica of Saint Clare located in the central part of the still small but no-longer medieval town of Assisi.
The reproduction spoke to me.
I’m an early companion of Francis.
I remained in the chapel for a while. I’m not sure if I was praying or not. I’m pretty sure I got on my knees. But from that day’s perspective, prayer was not known to me. So from that perspective, I wasn’t praying. But from today’s perspective, I most certainly was. For I was there. I was in Italy, in Assisi, in the Church of San Damiano. I was there intentionally. I was lost but I was found. I was looking, and I was obeying. Obeying what I didn’t know. I had no idea why, but I wanted to be there. And I felt something. It was heavy, literally. I remember feeling bent over. I remember thinking about all the prayer that must have taken place in that small space over the past thousand years. I remember thinking that all that collective belief must have an effect. It did. It does. It will. I was certain that I felt it. It bowed me down. It bent me over. And I remember liking it.
Faith is common.
I was a pilgrim and didn’t know it.
I don’t remember much about the convent itself. I do remember walking from room to room, the communal rooms where Saint Clare and her companions, her biological mother and two sisters among them, ate and prayed and cared for their sick. I remember the small warm inner garden, with it’s old well. And the spot marked as the place where Clare liked best to sit. I’ve always loved internal courtyards. The thought of being outdoors and yet enclosed. Architecturally, it best represents the beauty of true solitude. Open. Yet safe. Free. Yet sheltered. Alone. Yet surrounded by those who believe the same.
In that sense, solitude—when it’s truly interior, truly spiritual—is like love: you can never get enough of it, and once you have it, once you truly live within it, you’re never again alone.
Solitude is love. And love is never solitary.
Therefore the Lord himself shall give you a sign. Behold a virgin shall conceive, and bear a son, and his name shall be called Emmanuel.
—Isaiah 7:14
Howard Hain is a contemplative layman, husband, and father. He blogs at http://www.howardhain.com
Follow Howard on Twitter @HowardDHain
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The Victor's Place 