Category Archives: poetry

We’re Not Alone: Genesis 2: 18-25

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The LORD God said:
“It is not good for the man to be alone.
I will make a suitable partner for him.”
(Genesis 2,18)

We usually rush on when we hear these words to the creation of Eve, who becomes “bone of my bone, flesh of my flesh” for Adam, and the human story begins.

But the Genesis account  we read today and the medieval artist above remind us that God first “formed out the ground various wild animals and various birds of the air, and he brought them to the man… but none proved to be the suitable partner for the man.” (Genesis 2,19 ff)

Adam signals to God these new creatures are not enough, but does he dismiss them altogether for Eve?

Whether we realize it or not, we are not meant to be isolated individuals on this planet. We look for human companionship and friendship. But are human beings our only relationship. Besides caring for each other, we have destiny to care for all the creatures Adam names. They’re our partners too and we share this common home with them.

Poor in Spirit

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Christmas is a time of poverty. The Spirit of Bethlehem is one of smallness, of tiny new beginnings that open our minds to the infinite largeness of Incarnate Wisdom. The Christ Child heals us of our presumption. The New Born shows us that we simply don’t know what God has in store. His impoverished delivery stops us in our tracks. We stand like beasts in a stable, our knowledge, our understanding, our science, our facts, our truths stripped of eternal value. All that remains, whether we’re shepherds or kings or someone in between, is for us to nod along with the tiny beat of the drummer boy offering his seemingly meaningless gift. Let’s welcome Christ Jesus, Innocence itself, by being poor with Him. Let’s let go of preconceived notions of having control. To stand before the Lord in our nothingness is worth more to Him than any amount of gold, frankincense or myrrh. Our humility before the bright light is pure praise and prayer to the One Who offers us everything.

—Howard Hain

Mary’s Mother

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by Howard Hain

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Albrecht Durer, “Virgin and Child with Saint Anne”, ca. 1519 (The Met)

Christmas is a time for grandmothers.

They bake and cook and decorate. Their homes become mini North Poles, diplomatic outposts of Santa’s Castle.

At its core, Christmas is of course all about Jesus. All about Jesus, Mary, and Joseph. All about the Holy Family.

The Holy Family is an extended family though. And it doesn’t stop at grandmothers and grandfathers, aunts and uncles, or even cousins and distant cousins.

Just ask Saints Joachim and Anne, Zechariah and Elizabeth, or John the Baptist—not to mention all the unknown relatives whom the child Jesus surely encountered throughout His Galilean days. Ask any one of them about the far-reaching ripple effects of family grace.

Those touched by Jesus have a tendency to appear bigger than life.

Look at Santa Claus.

Most of us are aware that he is really Saint Nick.

But do we stop to wonder who Mrs. Claus really is?

I think she’s Saint Anne.

After all, Mrs. Claus is seen as everyone’s grandmother, especially when it comes to holiday cheer. But when it comes to truly celebrating the birth of Jesus, it is through Saint Anne that we approach the gates of Christ’s Nativity.

Mary’s Mother holds a special key. She is first among grandmas, first among those who pinch chubby cheeks, who pass along one more extra sugary treat.

———

Saint Anne help us. Speak to us. Show us how to be grand parents to all those around us, especially the little ones. Stir up the spirit of Advent. Bake away the holiday blues. Cook up a dish of Christmas love that only your hearth can serve.

———

Come one, come all, to the home of Saint Anne. Come with me to Grandma’s house for a holiday visit. Taste and see. Enter her kitchen, where the hot chocolate can always fit a little more whipped cream, where you hear the constant refrain: “eat…eat…eat…”

At Grandma’s your plate is never empty.

Her table is continually set.

She always sees Jesus as having just been born.

She is always wrapping Him up tightly in swaddling clothes.

It is simply grand.

To Grandma, Jesus is always an innocent child.

And she can’t help but see Him deep within both you and me.

(Dec/21/2017)

Howard Hain is a contemplative layman, husband, and father. He blogs at http://www.howardhain.com

Web Link: Metropolitan Museum of Art. Albrecht Durer, “Virgin and Child with Saint Anne”, ca. 1519

 

Broken Baby Jesus

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by Howard Hain

(Note: This post was originally published on December 24, 2011.)

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We have not put up a tree in years.

For nearly a decade we have been moving—no longer than two years in any one house and no less than ten different not-so-humble abodes. Between and during the moves we were very much engaged with the world. A seemingly endless movable beast.

This December marks one year in our current house. I am happy to say it is our home. The Lord has blessed us with great peace. And with that peace comes a tree. A simple, well-shaped tree. Fittingly, a dear friend offered it to us as a gift.

Francesca could not be more ready to be initiated into the act of trimming. Before the tree arrived, her two-year-old fingers pointed out every tree, artificial or real, that graced the pages of a holiday flyer or the commercial floor of a Rite Aid or Dollar Store.

Up the stairs came the evergreen, into the old stand that has been in storage since my father last used it several decades ago. I cut off the mesh and out popped the branches.

We hung the lights and old glass ornaments that my mother-in-law washed a few days before.

The main attraction for Francesca was the Nativity.

Not since St. Francis of Assisi assembled the first Nativity in Greccio in 1223, has there been such admiration for each and every witness who Our Lord assembled to adore His Son that first Christmas two millennia ago. Francesca kissed and hugged every shepherd, sheep, donkey, angel, and king. Most of all she adored the Holy family, calling Mary and Joseph, Ma-ma and Da-da, respectively. And Jesus, He was simply called: “ba-be.”

She carried them around the apartment. I did not want to ruin her fun, but they are ceramic. I explained a few times to be very careful.

“Gentle, Francesca…gentle…”, I harked a host of times.

Boom. To the wood floor went the shepherd. Amazing, grace held him intact. I took that as a great sign to put an end to her carrying the animals, angels and representatives of mankind.

I was fixing my coffee when I turned to see Francesca with Baby Jesus in her tiny hands. But He is so small, so tiny, what harm could come from holding Him? So I let her get away with carrying the Savior.

As I stirred my spoon Christ crashed to the floor, the tile floor. Francesca immediately looked at me, as if expecting all hell to break loose. I think I sighed but that was about all. It is Christmas, right? And it is, after all, only a ceramic figure purchased at Target.

After assuring Francesca not to worry and guiding her toward a few coloring books in the living room, I bent down to retrieve the broken Christ.

———

St. Francis was told by a Crucifix in an old abandoned chapel: “Restore my Church.”

In my small one-bedroom apartment, I found Baby Christ, broken into exactly three: The Head, the Torso, and the Crossed Legs.

“Restore the Trinity,” was spoken to me.

———

For half of my forty years I can honestly say I have tried to pursue Truth, wherever it lie. In philosophy, in scripture, in literature, in art, in nature, in history…

Now, the entire Gospel of Christ lie naked on my kitchen floor.

We separate, we distinguish, we categorize, we breakdown. The Fall of Adam was a fall into denomination.

Christ’s body is One. His Church cannot be broken. Only mere men can get things so wrong.

I think of the great “Angelic Doctor” of the Church, St. Thomas Aquinas, who after spending a lifetime in unparalleled pursuit of human understanding, said after glimpsing a vision of what Our Lord has in store for those who love God:

“All that I have written seems like straw compared to what has now been revealed to me.”

Yes… “straw”…my brother Thomas…merely straw. Straw that lines the manger within which Our Savior is laid bare.

———

It is tradition to leave the crib empty until Christmas morning. Only then do we place the figurative baby Jesus into the scene, after all until that moment he was not yet brought forth from Mother Mary’s womb.

This Christmas morning I will glue together a Broken Baby Christ. The Head, the Torso, and the Crossed Legs will again be One.

Like the world after the birth of Christ, I will never be the same.

For what has now been revealed to me, no fall can break apart.

 

Howard Hain is a contemplative layman, husband, and father. He blogs at http://www.howardhain.com

 

The Yet Empty Stable

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by Howard Hain

There’s a little stable not too far from here.

It sits in a church that has seen better days.

The parish is poor and the people seem to disappear.

But a few persistent peasants won’t stay away.

I love it there.

The priest is wonderfully uncertain.

He is afraid of God.

He instinctively bows his head at the mention of the name.

He knows how little he is in front of the great star.

I imagine he was involved in setting the stable.

It is a good size, on the relative little-stable scale.

It is surrounded by ever-green branches.

Probably snipped from the few Douglas Firs placed around the altar and yet to be trimmed.

The stable itself is composed of wood.

A little wooden railing crosses half the front.

A single string of clear lights threads through the branches laid upon the miniature roof.

They are yet to be lit.

I love it there.

I kneel before the empty scene.

For as of yet, not a creature or prop is present.

Not an ox or a goat, not a piece of hay or plank of fencing.

Not even a feeding trough that is to be turned into a crib.

No visible sign of Joseph and Mary, nor a distant “hee-haw” of a very tired donkey.

I wonder if I could get involved.

Perhaps I could slip into the scene.

There’s a darkened corner on the lower left.

In the back, against the wall.

I could hide myself within the stable.

Before anyone else arrives.

I don’t think they would mind.

I’d only be there to adore.

To pay homage to the new born king.

I might even help keep the animals in line.

Yes, a stagehand, that’s what I can be!

I know there’s no curtain to pull.

That’s to be torn in a much later scene.

But to watch the Incarnation unfold from within!

That’s what I dream.

To see each player take his and her place.

To see the great light locate the babe.

To watch the kings and shepherds stumble onto the scene.

Hark! To hear the herald angels sing!

O the joy of being a simple farmhand.

Of being in the right place at always the right time.

Of course though I wouldn’t be alone.

In that darkened corner, also awaiting the entire affair, there are many others.

Most I don’t know by name.

Too many in fact to even count.

But a few I know for sure.

For certain, present are those few persistent peasants who won’t stay away.

And of course there’s that wonderful anonymous parish priest.

The one who helped set into place this yet empty but very expectant stable.

The one whose fear of God is so clearly the beginning of wisdom.

(Dec/16/2016)

Howard Hain is a contemplative layman, husband, and father. He blogs at http://www.howardhain.com

Feasts are for Reflection

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Ryrson cross
Feasts are for reflection. In  The Feast of Our Lady of Sorrows, September 15th,  Mary  follows  Jesus, even in sorrow.

The 13th century icon above, from the Ryerson collection from the Art Institute of Chicago, once belonged to a European pilgrim to the Holy Land who brought it home as a reminder of a pilgrimage. What places did that pilgrim visit? Surely, Bethlehem where Jesus was born, and Jerusalem where he was crucified and rose  from the dead. In both places , Mary was there with her Son.

In the picture on the left Mary is a joyful mother  holding her Son, a divine Son whom the angels praise.  She is a daughter of Abraham, Isaac and Jacob, a daughter of the human family whom she represents. She never loses that joy, which she invites us to share.

In the picture on the right, Mary stands with John, an image of the church, beneath the cross of Jesus. Angels are astonished at the sight. Jesus seems to enfold his mother and the disciple whom he loves in his arms..

The gospel reading for the feast of Mary’s Sorrows, from St. John. says simply that Mary stood by the cross of Jesus. She’s a brave woman, not afraid to come close to the fearful place where Jesus was put to death. The Book of Judith, ordinarily the 1st reading for the feast, praises Judith, the brave and wise Jewish woman who’s not afraid to stand with her people at a dangerous moment in their history. Two women of courage face suffering and the challenge it brings.

The prayers, traditions and art of this feast take up the theme of Mary standing by the cross. She’s remembered  in poetry, music and art. “Stabat Mater” Here’s an example in Gregorian Chant and Pergolesi’s magnificent baroque setting.

At the cross her station keeping
Stood the mournful mother keeping
Close to Jesus to the last.

Women mystics, like St.Bridgid of Sweden, a mother herself and an important pilgrim to the Holy Land, saw the life of Jesus, particularly his passion, through a mother’s eyes. Wouldn’t Mary draw close to her Son’s cross and then hold him in her arms as they brought him down. The gospels do not mention it, but women like Bridgid were sure it was  so.

Women mystics like Bridgid gave us the Pieta.

A study of the Pieta in art in early medieval France shows the various ways this scene was pictured in art before Michaelangelo’s Pieta became an overpowering icon surpassing others. “Often she is viewed as caught up in the horror of the moment, but she is also shown praying or even gazing into the distance, as if contemplating comforting memories or the reunion to come. Her demeanor ranges from youthful innocence—the Purity that Time cannot age—to careworn maturity—Our Lady of Sorrows.”

Sorrow. like joy, has a range of faces. Mary shows us them all.

Morning Thoughts: She Planted The Sun

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There once was a little girl who loved to write “love”.

Over and over she wrote the lovely word.

Straight. Crooked. Curved. Upside down.

“Love”, “Love”, “Love”…

She drew hearts and placed all around.

And in a corner she planted the sun.

Day after day she pecked away.

A little hen marking the ground where she play.

All kinds of chicks came to stay.

She lined her dolls in pretty little rows.

A beauty pageant, all kinds of hair.

Straight. Curly. Blond. Brown.

She loved them all.

Did she favor?

She rotated each day.

She knew who needed extra care.

Though all to be happy.

That the only rule.

No room in her garden for overcast days.

And how her family grew.

She had, my God, so many to attend!

Amazing she could even keep track.

Yet each tiny doll held a special place.

She simply made room.

A little girl who loved to write “love”.

Over and over she wrote the lovely word.

Straight. Crooked. Curved. Upside down.

“Love”, “Love”, “Love”…

She drew hearts and placed all around.

And in a corner she planted the sun.

———

Miriam…Marie…Maria…

Mary…

I guess it depends on the day.

Accent. Pronunciation. Spelling.

Even eye color may change.

But it’s always the same little girl.

Age to age.

Place to place.

The same little girl

Helping save the human race.

The same little girl

In the fullness of time

Forever known:

“Full of Grace“

.

—Howard Hain

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Saint Lawrence, the Deacon

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August 10th is the Feast of St. Lawrence, the deacon, a saint who ranks after Peter and Paul as patrons of the Church of Rome. In the 4th century the Emperor Constantine built a church honoring him on the Via Tiburtina, near one of the major gateways to the city. Lawrence was a Christian martyr, but he was something more.

Lawrence was a deacon of the Roman church in the middle of the 3rd century, when Rome began to experience wars and political instability. Gothic tribes breached the Roman lines along the Rhine River and the Persians were invading in the east.

The only thing to do was expand the army, and that’s what the Emperor Valerian did. It was time to build walls and expand armies. That cost money, of course, and in Rome the burden fell heavily on the poor. Famine and plague only worsened their situation.

That’s when the Christian church stepped in to help. Christians were still relatively few in numbers then, not wealthy, but they gave generously to the poor, and the Roman people admired what they saw.

Lawrence, the deacon, was behind this extraordinary Christian effort. After all, Jesus said: “I was hungry, and you gave me to eat; I was thirsty, you gave me to drink; I was sick and you visited me.”

Lawrence giving to the poor: Fra Angelico

Rome’s leaders became upset by the church’s growng popularity. They also wondered if the church’s money couldn’t be channeled towards their war effort. And so, in 257 an edict was published to imprison church leaders and confiscate church money. A second edict in 258 caused blood to flow. Pope Sixtus II and four deacons were seized in the catacombs of St. Callistus and executed on August 6th. Lawrence, the deacon, was seized and executed on August 10th. That’s why his feast day is today.

Popular stories later offered a colorful account of Lawrence’s martyrdom shaping his story and the way artists pictured him:

The Roman prefect, anxious for the church’s money, promised Lawrence freedom if he would transfer it over to him. Lawrence asked for three days to get the church’s treasures together for delivery to the prefect’s house. Then, after distributing the church’s monies to the poor, he gathered them and brought them to the prefect’s door. “Here are the church’s treasures,” he told the official, “ – the blind, the lame, the orphans and the old.”

The prefect ordered Lawrence burned alive on a gridiron. Those witnessing his execution said the saint went to his death cheerfully, even joking with his executioners. “Turn me over, I’m done on this side.”

After these events the Roman church gained a flood of converts. Respect for Christianity grew, not just because of its brave martyrs, but because of its outreach to the poor.

Constantine honored Lawrence, not just because he died for his faith, but because of his care of the poor. He would rely on the church, not just for its political support, but for its care of the poor.

Wherever you go in Rome, you are going to find Lawrence. There are other churches honoring him; he’s often pictured with Peter and Paul, the founders of the Roman church; Michelangelo has him among the blessed at the last judgment in the Sistine Chapel. Lawrence represents something important in the church.

A large fresco of the saint stands at the entrance to the Vatican Museum’s Chapel of Nicholas V with its priceless works of art. Lawrence seems blind to the riches all around him as he boldly proclaims the message inscribed beneath his feet: The Poor are the Treasures of the Church.

They should always be the treasures of the church.

Hummingbird and Passionflowers

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by Howard Hain

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Martin Johnson Heade, “Hummingbird and Passionflowers” (ca. 1875-85) (The Met)

The delicate little bird that resides within each of us.

It hops to and fro. It stands startlingly still.

Very often we are the very ones who chase it away.

But it doesn’t fly far.

Just to the closest branch, that’s just beyond our reach.

And it looks back at us, as if to ask, “Why are you afraid?”

The tiny head of a tiny bird, slightly cocked to the side—a question mark floats from its beak.

It longs to return, to live within us, to build a nest, to raise its young.

But it doesn’t rush back.

No, it waits.

It waits for us to ask for it to return.

It’s a patient creature, that tiny bird.

One may be tempted to say it’s not very smart, but that’s not it at all.

It’s simple. It’s holy. It knows who it is. It’s not afraid of the fall.

Howard Hain is a contemplative layman, husband, and father.

Web Link: The Met Museum. Martin Johnson Heade, “Hummingbird and Passionflowers” (ca. 1875-85)