Category Archives: art

Saving Santa Claus

Santa came to town for Macy’s annual Thanksgiving Parade. From the parade he went into the store for Black Friday and he will be there for the rest of the days till Christmas.

More than a salesman, Santa’s a saint– Saint Nicholas– and he reminds us Christmas is for giving rather than getting. His quiet giving mirrors God’s love shown in Jesus Christ.

Telling his story is one of the ways we can save Santa Claus from being captured by Macys and Walmart and all the rest. First, take a look at our version for little children, which has over 200,000 views on YouTube. How about telling that story to a real little kid you know? Wouldn’t you rather they know someone like him than the guy in the store in a red suit?

Then, you might want to go on to our  modest contribution for bigger children– like us:

St. Martin of Tours, November 11

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If saints are antidotes to the poison of their times, as Chesterton said, Martin of Tours is a saint worth reflecting upon.  So, what poison did Martin confront?

One was the poison of militarism. Martin was born into a military family in 316,  his father a Roman officer who arose through the ranks and  commanded the legions on the Roman frontier along the Rhine and Danube rivers. When his son was born his father saw him as a soldier like himself and named him Martin, after Mars, the god of war.

Rome was mobilizing then to stop invading barbarian tribes, and soldiers, like the emperors Constantine and Diocletian, were its heroes.  But Martin wanted nothing to do with war. As a young boy he heard a message of peace and non-violence from Christians he knew. Instead of a soldier, he became a Christian catechumen, over his father’s strong objections.

Martin was a lifelong peacemaker. He died on his way as a bishop to settle a dispute among his priests.

Another poison Martin confronted was the poison of careerism. Elected bishop of Tours by the people, Martin adopted a lifestyle unlike that of other bishops of Gaul, who were increasingly involved in imperial  administration and adopted the privileged style that came with an imperial administrator.

Bishops set themselves up in the cities;  Martin preferred to minister in the country, to the “pagani”, the uneducated poor. He established monasteries and the simple Christian life they promoted. The great monastic settlements that contributed to the evangelization of Gaul were largely his legacy.

Are the poisons of militarism and careerism around today? We remember our war veterans today.So many died in terrible wars these 100 years and many bear the scars of war. Militarism, the glamorizing of war, is still around.  So is careerism .

Finally, martyrdom was the great sign of holiness in Martin’s day, but Martin witnessed to another kind of martyrdom, the martyrdom of everyday. That could happen in embracing monasticism or religious life. It also could take place in embracing fully one’s own state in life. Martin was a martyr of another kind. For all these reasons, he is an important saint on our church calendar.

The story that epitomizes Martin, of course, is his meeting with a beggar in a cold winter as he was coming through the gate in the town of Amiens. Still a soldier but also a Christian catechumen, he stopped and cut his military cloak in two and gave one to the poor man. That night, the story goes, Christ appeared to him in a dream, wearing the beggar’s cloak. “Martin gave me this,” he said.

Pope Benedict XVI commented on this event.

“ Martin’s gesture flows from the same logic that drove Jesus to multiply the loaves for the hungry crowd, but most of all to leave himself to humanity as food in the Eucharist… It’s the logic of sharing.

May St Martin help us to understand that only by a common commitment to sharing is it possible to respond to the great challenge of our times: to build a world of peace and justice where each person can live with dignity. This can be achieved if an authentic solidarity prevails which assures to all inhabitants of the planet food, water, necessary medical treatment, and also work and energy resources as well as cultural benefits, scientific and technological knowledge.”

Well said.

In medieval Europe farmers, getting ready for winter at this time, put aside food and meat for the cold days ahead. Martin’s feast day was their reminder to put aside something for the poor. The poor are always with us; are we remembering them?

Today  Veterans’ Day in the USA honors those who fought in our country’s wars. It was originally called Armistice Day celebrating the end of fighting between the Allies and Germany on November 11, 1918. The United States lost 116,516 troops in the 1st World War; other countries lost millions more. The wars that followed added to that count.

Saints Simon and Jude: October 28

Simon Rubens
St. Jude LaTour

Saints Simon and Jude, whose feast we celebrate October 28, are mentioned only a few times in the New Testament list of apostles,  tenth and eleventh respectively. (Mark 3,13-19, Luke 6,12-16)

Simon is called  `the Zealot,’ either because he was zealous for the Jewish law or because he was a member of the Zealot party, which in the time of Jesus sought to overthrow Roman domination by force.

Some of Jesus’ followers,  the Gospels indicate, were hardly pacifists. Peter was ready to use his sword in the garden of Gethsemani when the temple guards came to seize Jesus;  James and John told Jesus to call down fire from heaven on the hostile Samaritans whom they met on their journey to Jerusalem. So did Simon have thoughts of revolution when he answered Jesus’ call ?

Jude, called “Thaddeus” to distinguish him from Judas Iscariot, may be the brother of James, the son of Alphaeus, some interpreters of the Gospel say. If that’s so, he’s also a relative of Jesus. He may be the author of the Epistle of Jude in the New Testament.

Early Christian traditions – all difficult to prove historically – locate the ministry of these apostles in places as far apart as Britain and Persia; one important legend from 3rd century Syria says they were apostles to Syria. If so, we ask their intercession for that troubled place today.

Knowing little about  Simon and Jude may be a good thing, because then we have to look to their mission to know them – they were apostles. Even if we don’t know exactly where each of them went, they were apostles. The mission of the apostles was to follow Jesus. “ As the Father has sent me, so I send you.” Jesus says in the Gospel of John. He also said, “I have come down from heaven, not to do my own will, but the will of him who sent me.”

God made his will known to the apostles in due time. They didn’t decide what to do or where to go by themselves. They knew God’s will day by day, as we do.  So often, it was unexpected and perhaps not what they planned. Simon had revolutionary thoughts. This was a revolution of another kind. Jude followed his cousin. He found himself in a family of another kind.

“Your will be done,” we say in the Lord’s Prayer. That’s an apostle’s prayer. We try to make it our prayer too.

Prayer to My Guardian Angel

“Prayer to My Guardian Angel” (abridged)
Matthew 18:1-5, 10
Memorial of the Holy Guardian Angels
©️2021 Gloria M. Chang

At that time the disciples approached Jesus and said, “Who is the greatest in the kingdom of heaven?” He called a child over, placed it in their midst, and said, “Amen, I say to you, unless you turn and become like children, you will not enter the kingdom of heaven. Whoever humbles himself like this child is the greatest in the kingdom of heaven. And whoever receives one child such as this in my name receives me.

See that you do not despise one of these little ones, for I say to you that their angels in heaven always look upon the face of my heavenly Father.”

Matthew 18:1-5, 10

Guardian Angels Guide Us to the Father

God, the Father Almighty, maker of heaven and earth, of all things visible and invisible, placed Christ at the center of the angelic world. Every child made in the image of the Incarnate Son of God receives a guardian angel at conception to guide them in their journey home to the Father. As “their angels in heaven always look upon the face of my heavenly Father,” they intercede and light the way through Christ in the Spirit to the heart of the Father.

From its beginning until death, human life is surrounded by their watchful care and intercession. “Beside each believer stands an angel as protector and shepherd leading him to life.” Already here on earth the Christian life shares by faith in the blessed company of angels and men united in God.

Catechism of the Catholic Church 336

Prayer to My Guardian Angel

Angel of God, my guardian dear,
to whom God’s love commits me here,
ever this day be at my side,
to light and guard, to rule and guide. 
Amen.

Angel of God, my guardian dear,
Be at my side, guiding, ever near.


This content by Gloria M. Chang was originally published online at Shalom Snail: Journey to Wholeness.

St. Peter in Chains

The Vatican Basilica where Peter the Apostle is buried is a prime destination for pilgrims to Rome today, but another important place dedicated to the memory of the apostle is the Church of St. Peter in Chains. It was built in the 5th century by the Empress Eudoxia on the western slope of the Esquiline Hill, next to the site of the early Roman Prefecture, not far from the Colosseum and the Roman Forum.

Justice was still being dispensed at the Roman Prefecture in Eudoxia’s day. Rome’s main prison was also nearby, where suspected criminals were tortured, questioned and judged. Not far away, just outside the city, those condemned were beheaded or strangled.

I would guess that Eudoxia was inspired to build this church next to the Roman Prefecture by the dramatic story we read today from the Acts of the Apostles of Peter being freed from his chains from a Jerusalem prison. (Acts 12:1-11) I imagine she saw the Prefecture as the place where judgment was carried out for so many Christians, even Peter and Paul.

Eudoxia gathered chains from the prisons in Jerusalem and Rome and placed them under the altar of this church she built, according to reports. Modern visitors usually turn to Michelangelo’s famous statue of Moses, located in the same church, but they should keep the chains in mind. They represent the imprisonment of Christian martyrs like Peter and Paul, and so many others.

A strong tradition among early Christian communities — affirmed today by many historians and archeologists — says that Peter met his death at Nero’s circus on the Vatican and Paul was beheaded along the Via Ostia near the place where Constantine later built a church in his honor. The apostles Peter and Paul, were martyred late in the persecution. Many details of their martyrdom are unknown, but like others they must have been arrested, put in chains, questioned, and sentenced before being executed.

Were Peter and Paul and many of the Christian martyrs who died in Nero’s persecution arrested, enchained and sentenced here?

There are later legends, of course. One says Peter and Paul were imprisoned in the Mamertime Prison, near the Capitoline Hill, where they converted and baptized their jailers. Peter, freed from his chains, escaped and fled along the Via Appia until he reached the place where the chapel, Domine, Quo Vadis? now stands. There he met Jesus coming into the city. “Where are you going, Lord?” Peter asked. When Jesus told him he was going to join those suffering, the apostle turned to embrace the same fate.

In the apse of the church of St Peter in Chains there’s a 16th century painting of Eudoxia presenting the chains to the pope. According to some 8th century homilies, one is from a Jerusalem prison. The other is from a Roman prison, possibly the one nearby? Eudoxia was a woman who listened to the scriptures with her imagination and saw connections. Good example for us who listen to the scriptures today.

Basilica di s.pietro in vincoli, A.P.Frutaz, Rome ?

The Roman Catacombs and Their Martyrs, l. Hertling SJ and E.Kirschbaum,SJ, Milwaukee, USA 1956

Venerable Bede


The Venerable Bede (672-735), whose feast day is May 25th, was destined from his birth to be a monk. Born near Wearmouth Abby in England, he spent his life in that monastery from his earliest years, and became a scholar, teacher and spiritual guide. His commentaries on scripture and the history of England were known far beyond the place where he lived. He is considered the most learned man of his time.

“It’s ever been my delight to learn, to teach and to write,” he said, and he shared his learning with those he lived with; his wisdom inspires us today. Besides the scriptures and historical studies, Bede delighted in music, mathematics and learning about the natural world. He’s honored as a Doctor of the Church.

You can see from an account of his life by Cuthbert, a contemporary,  that his brothers in the monastery liked him and held him in esteem. And he liked them. Until the day of his death he continued to think and teach and write. On the day he died he was finishing up one of his studies, a commentary on the scriptures. When it was done “on the floor of his cell, he sat and sang “Glory be to the Father and to the Son and to the Holy Spirit”; and as he named the Spirit, the Breath of God, he breathed the last breath from his own body. With all the labour that he had given to the praise of God, there can be no doubt that he went into the joys of heaven that he had always longed for.”

Before he died, he wrote this:

“Before setting forth on that inevitable journey, none is wiser than the man who considers—before his soul departs hence—what good or evil he has done, and what judgement his soul will receive after its passing.”

Lord, give us a love of learning and a delight in your wisdom and truth, and the courage to look at ourselves.

Mary’s Visits: Fatima

When Mary visited her cousin Elizabeth she said “all generations shall call me blessed, the Almighty has done great things for me, and holy is his name.” All generations know her; at times over the years Mary visits some in apparitions. 

Three prominent apparitions of Mary in the last 500 years are commemorated in major Marian shrines –in Mexico City, Lourdes and Fatima. In 1531, she appeared to the Mexican peasant Juan Diego on a hillside outside of Mexico City. In 1858 Mary appeared to 14 year old Bernadette Soubirous in Lourdes in France as she was gathering firewood. In 1917 Mary appeared to three shepherd children in Fatima in Portugal. These are major pilgrimage sites today. Three liturgical feasts in our church calendar honor these apparitions.

The depictions of Mary in art follow closely, if not perfectly, the accounts the visionaries gave of the apparitions. Mary, arms folded in prayer, prays for her children on earth and encourages them to pray with her in the Fatima appearance.  

The statue of Our Lady of Lourdes made by Fabisch in 1864 and placed in the grotto at Lourdes in France is a model for the many statues of Our Lady of Lourdes in churches and shrines throughout the world. We have one in our Lourdes Grotto in Jamaica, NY. (below)

Various images of Our Lady of Fatima exist; we have one in our monastery chapel.(above) Her bright white garments witness to the glory the visionaries saw surrounding her. She brings the glory of heaven to brighten the earth, as Jesus did at his transfiguration. “And he was transfigured before them, and his clothes became dazzling white, such as no fuller on earth could bleach them.” (Mark 9:2-3)

Images of Our Lady of Guadalupe show her in the native dress of the time; she identifies with the native peoples then under colonial subjugation.

Contemporaries of Bernadette and the children of Fatima faced trials of another kind than the native peoples of Mexico. Secularizing governments promoted unbelief in society and wars were increasing in number and intensity. Mary’s appearances were not only the occasion of physical cures and healing. To ordinary people then and afterwards Mary’s appearances brought reassurance and renewed faith in the promise of God’s glorious power and presence. Their faith was real.

In his letter Laudato si’ Pope Francis calls upon Mary to visit us today as we struggle to care for the earth we have neglected. I like this image of Mary, holding her Son, which we have in our Mary Garden. Creation seems to raise its voice in praise. Her Son, Jesus Christ, offers us life-giving Wisdom. “We can ask her to enable us to look at this world with eyes of wisdom,” the pope says. May she hold in her hand our wounded world.

The Cross in Early Christian Art

cross, 4th Century Sarcophagus, Rome

Cross, 4th Century Sarcophagus, Rome

There are no realistic representations of Christ Crucified and his passion in early Christian art. Realistic portrayals of Christ on the cross and his passion only appear in the early middle ages in the western church. The Crucifixion of Jesus was only portrayed symbolically at first, as in the example above, and early on appears in a variety of ways.

The Anchor Cross

anchor 4

Travelers from one port to another on the Mediterranean Sea at the time of Jesus were never sure of a safe passage until they dropped anchor. The anchor became the symbol of safe arrival, and so ancient seaports on the Mediterranean like Alexandria and Antioch adopted the anchor as a symbol for their city.

Early Christians used the anchor as a symbol of their hope of reaching a heavenly port, the kingdom of God and they inscribed it on their burial sites  in the catacombs to express their hope in Jesus Christ. The anchor closely resembles a cross and early Christians surely saw the resemblance. It’s the most common and sometimes only mark found on the earliest Christian graves in the ancient Roman catacombs of Priscilla, Domitilla and Callistus.

“Pax tecum,” “Peace be with you” the inscription (above) next to an anchor on one of these gravesites reads; the name of the deceased has been half-destroyed by grave robbers looking for valuables long ago. “Eucarpus is with God” we see in another below.

anchor 3

One reason early Christians hesitated to portray the crucifixion of Christ realistically was because the practice  was still  common in the Roman world until the Emperor Constantine  banned it in the 4th century. With crucifixion still before their eyes, Christians would hardly want it portrayed realistically in art, even if it were the crucifixion of the Savior.

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The oldest known portrayal of the crucifixion of Jesus, (left), is a mocking graffiti found on the wall of a barracks on the Palatine Hill in Rome, showing a crucified man with the head of a donkey, and before him a man with hand raised to the image. The Greek inscription from about the year 220 AD reads: “Alexander worships his god.” Undoubtedly, Alexander is a Christian being mocked for belief in Jesus crucified.

The first centuries of Christianity, in  fact, produced little art. For one thing, it inherited a strong iconoclastic tradition from Judaism. The 2nd century writer Justin Martyr also offers another explanation in his Apology disputing Roman claims that Christians were atheists and a danger to society. Justin acknowledges they had no temples, no statues of gods, and did not participate in the rites of Roman prayer.  But Christians were loyal Romans who believed in God, Justin argues. They worship, though, in their own homes and pray there to a God who cannot be imagined or adequately portrayed. (Apology 9,67)

Great Christian churches and shrines were not built till the 4th century, after  emancipation by the Emperor Constantine. Before that, Christian art is found mainly in the catacombs, where Christians buried their dead.

Moses strikes the Rock, Noah saved by the wood. Catacombs

Moses strikes the Rock, Noah saved by the wood.
Catacombs

The art of the catacombs, which are found mostly  around the city of Rome, comes down to us in a fragile state and can be hard to decipher after being underground for centuries. Its simple symbolic style can leave its powerful religious significance unappreciated. Art historians lament its lack of style compared to the sophisticated Roman art of its day.

The writings of Justin Martyr and other early Christian writers may help us better understand its simple, powerful message. In his Dialogue with Trypho the Jew, Justin uses a list of Jewish scriptures that he claims predict the coming of Christ, his life, death and resurrection. The  scriptures were used by other Christian writers of his day–Tertullian, Barnabas, Irenaeus–   to prove that “all the prophets bear witness” to Christ, the promised Messiah. (Acts 10,43)  Before them, Jesus appealed  to Moses and all the prophets to show why it was necessary for the Messiah to suffer. (Luke 24,26-27)

These same Jewish scriptures influenced the formation of the gospels and early Christian baptismal catechesis. They were read in Christian worship and decorated  Christian burial places. The Jewish scriptures are the key to understanding the art of the catacombs.

In his Dialogue with Trypho Justin proposes to his Jewish opponent scriptures such as Psalm 22 and the Servant Songs of Isaiah 53, that indicate God’s plan to send a suffering Messiah who would redeem his people. These same scriptures shaped the accounts of the passion of Jesus in the four gospels.

In the 86th chapter of his Dialogue with Trypho, Justin lists other scriptures, beginning with the tree of life planted in paradise, that reveal the saving power of the wood of the cross. That saving wood was prefigured in the wooden rod Moses used to bring water from the rock in the desert and divide the sea for his people to pass over. The cross was prefigured in the ladder Jacob saw mounting to heaven. Abraham saw it in the oak at Mamre and in the wood Isaac carried to his sacrifice. David saw the cross in the tree planted by running waters, mentioned in Psalm 1. The cross was signified in the wood that saved Noah from the flood.

MOSES ROCK *

Isaac carry the wood of sacrifice. Roman catacombs.

Isaac carries the wood of sacrifice.
Roman catacombs.

Many of these Old Testament figures connect wood with water and feature in the early church’s catechesis and rites of initiation. The same catechesis speaks to the dead resting in the catacombs, who  believed in Christ. Through baptism and the sacraments Jesus Christ would bring them, through the mystery of his death and resurrection, to eternal life.

In other parts of the Dialogue, Justin offers the Three Children in the Fiery Furnace, Daniel in the Lion’s Den, and other Old Testament stories as images that speak of the Passion of Jesus. All these “signs” also appear extensively in the art of the catacombs.

3 children 1

Daniel in the Lion's den. Catacombs

Daniel in the Lion’s den.
Catacombs

In the 55th chapter of his Apology Justin adds signs from nature and human society to expand his argument for Christianity and the mystery of the cross, A ship can’t sail and arrive at its destination without a sail; a field can’t be plowed without a plow. Both of these are in the form of a cross. Human beings themselves are made in the form of a cross, Justin emphasizes. Figures with arms outstretched, Orants, appear everywhere in the catacombs. They imitate Christ who prayed with arms outstretched on the cross, and his prayer was heard. (Tertullian, On Prayer 14)

Orans, Catacomb

Orans, Catacomb

Noah saved by the wood of the ark. Roman catacombs

Noah saved by the wood of the ark.
Roman catacombs

The art of the catacombs found mostly in the 40 or so catacombs around Rome, offers a rich fascinating look at early Christian belief. Today In the Catholic Church’s prayers for the dying we can still hear the figures portrayed there  invoked once more.

“Welcome your servant, Lord, into the place of salvation…Deliver your servant Lord, as you delivered Noah from the flood, Deliver your servant, Lord, as your delivered Moses from the hand of Pharaoh. Deliver your servant, Lord, as you delivered Daniel from the lions den. Deliver your servant, Lord, as you delivered the three young men from the fiery furnace. Deliver your servant, Lord, as you delivered Job from his sufferings. Deliver your servant, Lord, through Jesus our Savior, who suffered death for us and gave us eternal life.” (Roman Ritual)

Good Shepherd, Old Testament figures of the Passion. Catacombs

Good Shepherd, Old Testament figures of the Passion. Catacombs

Noah and the Ark: Genesis 6-7

Where did the story come from?

A few years ago Nova on PBS featured a program called“The Secrets of Noah’s Ark.” In early times, floods were common in the “Fertile Crescent,” the area in Mesopotamia {modern Iraq} where the Tigris and Euphrates Rivers and the ancient city of Babylon were located. Floods, sometimes great floods, occurred, so the people had to be ready. You had to keep your boats handy, and a big boat also– you never knew..

But people then, as now, had short memories. “As it was in the days of Noah, so it will be at the coming of the Son of Man. In those days before the flood, they were eating and drinking, marrying and giving in marriage, up to the day that Noah entered the ark. They did not know until the flood came and carried them all away.” (Matthew 24, 37-38)

I suspect some Babylonian priests then– meteorologists and story tellers of the age– came up with a flood story thousands of years before the Noah story in Genesis, to keep people on their toes – and maybe challenge some early climate change deniers too. It reinforced important advice: “ Keep your boats in shape and make sure a big boat’s around for ‘the big one.’”

Jewish priests and scribes in 6th century Babylon saw the story a perfect fit for the story of human origins they were telling their people. For them the take-away from the story was not to keep a big boat handy, but to be faithful to God like Noah and Abraham and their families. If they were faithful, God would save them from the flood and bring them  to the Promised Land.

The Nova program showed evidence from today of those big boats there “just in case.”

The story gave hope to the Jews driven from Jerusalem to exile in Babylon where, “By the rivers of Bablyon, we sat ad wept, remembering Zion.” (Psalm 137)  Christians– the pictures in the catacombs remind us (above)– saw Noah as a sign that the waters of baptism saved them from death and brought them the promise of paradise lost by Adam and Eve.

So the story of Noah and the ark is more than a myth.

Building a City: Genesis 11: 1-9

babel
Tower of Babel. Pieter Bruegel the Elder. 16th century

After the deluge, God renews a covenant with creation, and the descendants of Noah begin to fulfill God’s command “to increase and multiply and fill the earth.”

But then something else happens: human beings want to be together, so they build a city. A common origin and language draws them together, not just as families or clans, but in a larger society. They look for human flourishing in a city. (Genesis 11,1-9)

Unfortunately, they overreach. They want to get their heads into the heavens and so they plan a tower into the sky. Like Adam and Eve reaching for the Tree of the Knowledge of Good and Evil, they want to be like gods, “presuming to do whatever they want,” Their tower becomes a Tower of Babel. It collapses and they’re scattered over the world, leaving their city unfinished.

It’s important to recognize that the Genesis story does not claim God’s against human beings building a city. The bible, in fact, often sees the city as a place favoring human flourishing. In the Book of Jonah, God values the great city of Nineveh. Jesus sees Jerusalem, the Holy City, cherished by the Lord, the place where he dwells. The Spirit descends on his church in the city. The Genesis story sees the city as good, but it can be destroyed by sin and human pride..

The picture at the beginning of this blog is a painting of the Tower of Babel by the 16th century Dutch artist, Pieter Bruegel the Elder. It’s situates Babel in Antwerp, one of the key seaports of the time. Its shaky structure suggests it’s too ambitiously built. Still incomplete, it may not last. So the painter offers a warning against ambition and not caring for people, especially the needy.

It’s interesting to note that Pope Francis encourages mayors from cities to plan well. Commentators say the pope, conscious of a rising isolationism that’s affecting nations and international bodies today, sees cities to be agents for unifying peoples. They’re important places for humans to flourish. The United Nations also sees cities as key resources in the challenge that comes with climate change.

The picture at the end? You don’t have to be told. A great city. Still, its greatness will be judged, not by its big buildings or businesses, but how it encourages human flourishing.

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